P O E T I C --- P A I N T I N G S


"Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen" -- da Vinci

To write poetry, you must read and, read some more -- Me





Showing posts with label poet. Show all posts
Showing posts with label poet. Show all posts

Oct 15, 2009

Picnic, Lightning by Billy Collins










It is possible to be struck by a
meteor or a single-engine plane while
reading in a chair at home. Pedestrians
are flattened by safes falling from
rooftops mostly within the panels of the comics,

but still, we know it is
possible, as well as the flash of
summer lightning, the thermos toppling
over, spilling out on the grass.

And we know the message can be delivered from within.
The heart, no valentine, decides
to quit after lunch, the power shut off like a switch,
or a tiny dark ship is unmoored into the flow of the body's
rivers, the brain a monastery,
defenseless on the shore.

This is what I think about when I shovel compost
into a wheelbarrow, and when I fill
the long flower boxes, then press
into rows the limp roots of red
impatiens -- the instant hand of Death
always ready to burst forth from the
sleeve of his voluminous cloak. Then

the soil is full of marvels, bits of leaf
like flakes off a fresco, red-brown
pine needles, a beetle quick
to burrow back under the loam. Then
the wheelbarrow is a wilder blue, the clouds
a brighter white, and all I hear

is the rasp of the steel edge against
a round stone, the small plants
singing with lifted faces, and the click
of the sundial as one hour
sweeps into the next.



[I've said this before and I will reiterate -- I ADORE Billy Collins. His poetry is so fresh and alive. Vivid images pop, pop, pop like hot footed kettle corn in front of my eyes -- when reading his poetry. This poem is from his book "Picnic Lightning" If you don't have it go out and buy a copy. It truly is a wonderful addition to any library.]  







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Sep 26, 2009

The Bells by Edgar Allan Poe [My Commentary]


Edgar Allan Poe 1809-1849




Let me start off by saying, I refuse to post this poem.

Yes, this is a poetry site, and I do post poems  but this poem The Bells by Edgar Allan Poe just pisses me off!

Why you may ask.

Well, I hate noise.

I hate all kinds of noise -- even the noise chasing its tail behind my forehead. It's all still noise!

When I first read The Bells, I had to put the book down and walk away. In fact I put it down several times. By the time I finished reading The Bells I went looking for a hammer. Sledge hammer, ball ping hammer, MALLET -- anything that I could use to smash any bell I could find.

I wanted to smash the hell out of Poe's bells.

After thinking about my reaction to this noisy poem, I realized that Poe did what an extraordinary writer/poet is suppose to do. They are suppose to invoke emotion from their readers.

Poe did exactly that -- he brought out such strong emotion in me that I had the urge to crush, kill, destroy any bell I could get my hands on.

Then I understood, that's what a great Poet does.

It's not that The Bells isn't a great poem, it's the fact that it is so great that it rung in my ears for days and days. 

Let's forget about the Literary purist who lives to dissect the corpse of a poem. The ones who look to see if the meter is off or the rhyme is forced or the metaphors are cliche. Let them eat the poem or poet if they want.

Poetry is truly a painting that is felt rather than seen.

I felt this poem and wanted to do serious damage to anything that rang, rung, tingled, chimed, etc...

*damn bells I hate noise*

So, if you want to read The Bells by Edgar Allan Poe have at it =====> The Bells

Mar 5, 2009

I Chop Some Parsley While Listening To Art Blakey's Version of "Three Blind Mice" by Billy Collins


Billy Collins former U.S. Poet Laureate






And I start wondering how they come to be blind.
If it was congenital, they would be brothers and sister,
and I think of the poor mother
brooding over her sightless young triplets.


Or was it a common accident, all three caught
in a searing explosion, a firework perhaps?

If not,
if each came to his or her blindness separately,


how did thy ever manage to find one another?
Would it not be difficult for a blind mouse
to locate even one fellow mouse with vision
let alone two other blind ones?


And how, in their tiny darkness,
could they possibly have run after a farmer's wife
or anyone else's wife for that matter?
Not to mention why.


Just so she could cut off their tails
with a carving knife, is the cynic's answer,
but the thought of them without eyes
and now without tails to trail through the moist grass


or slip around the corner of a baseboard
has the cynic who always lounges within me
up off his couch and at the window
trying to hide the rising softness that he feels.


By now I am on to dicing an onion
which might account for the wet stinging
in my own eyes, though Freddie Hubbard's
mournful trumpet on "Blue Moon,"


which happens to be the next cut,
cannot be said to be making matters any better.




[Personal Note: I absolutely ADORE this poet. I had the pleasure of seeing Billy read this poem in person up at Kent State. It was then I fell in love with his poetry. It was then I fell in love with poetry period.]


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Mar 24, 2008

Howl I by Allen Ginsberg


Allen Ginsberg








For Carl Solomon

I saw the best minds of my generation destroyed by madness, starving
hysterical naked,
dragging themselves through the negro streets at dawn looking for an angry
fix,
angelheaded hipsters burning for the ancient heavenly connection to the
starry dynamo in the machinery of night,
who poverty and tatters and hollow-eyed and high sat up smoking in the
supernatural darkness of cold-water flats floating across the tops of
cities contemplating jazz,
who bared their brains to Heaven under the El and saw Mohammedan angels
staggering on tenement roofs illuminated,
who passed through universities with radiant cool eyes hallucinating Arkan-
sas and Blake-light tragedy among the scholars of war,
who were expelled from the academies for crazy & publishing obscene odes
on the windows of the skull,
who cowered in unshaven rooms in underwear, burning their money in
wastebaskets and listening to the Terror through the wall,
who got busted in their pubic beards returning through Laredo with a belt
of marijuana for New York,
who ate fire in paint hotels or drank turpentine in Paradise Alley, death, or
purgatoried their torsos night after night
with dreams, with drugs, with waking nightmares, alcohol and cock and
endless balls,
incomparable blind streets of shuddering cloud and lightning in the mind
leaping toward poles of Canada & Paterson, illuminating all the mo-
tionless world of Time between,
Peyote solidities of halls, backyard green tree cemetery dawns, wine drunk-
enness over the rooftops, storefront boroughs of teahead joyride neon
blinking traffic light, sun and moon and tree vibrations in the roaring
winter dusks of Brooklyn, ashcan rantings and kind king light of
mind,
who chained themselves to subways for the endless ride from Battery to holy
Bronx on benzedrine until the noise of wheels and children brought
them down shuddering mouth-wracked and battered bleak of brain
all drained of brilliance in the drear light of Zoo,
who sank all night in submarine light of Bickford's floated out and sat
through the stale beer afternoon in desolate Fugazzi's, listening to the
crack of doom on the hydrogen jukebox,
who talked continuously seventy hours from park to pad to bar to Bellevue
to museum to the Brooklyn Bridge,
a lost battalion of platonic conversationalists jumping down the stoops off fire
escapes off windowsills of Empire State out of the moon,
yacketayakking screaming vomiting whispering facts and memories and
anecdotes and eyeball kicks and shocks of hospitals and jails and wars,
whole intellects disgorged in total recall for seven days and nights with
brilliant eyes, meat for the Synagogue cast on the pavement,
who vanished into nowhere Zen New Jersey leaving a trail of ambiguous
picture postcards of Atlantic City Hall,
suffering Eastern sweats and Tangerian bone-grindings and migraines of
China under junk-withdrawal in Newark's bleak furnished room,
who wandered around and around at midnight in the railroad yard wonder-
ing where to go, and went, leaving no broken hearts,
who lit cigarettes in boxcars boxcars boxcars racketing through snow toward
lonesome farms in grandfather night,
who studied Plotinus Poe St. John of the Cross telepathy and bop kabbalah
because the cosmos instinctively vibrated at their feet in Kansas,
who loned it through the streets of Idaho seeking visionary indian angels
who were visionary indian angels,
who thought they were only mad when Baltimore gleamed in supernatural
ecstasy,
who jumped in limousines with the Chinaman of Oklahoma on the impulse
of winter midnight streetlight smalltown rain,
who lounged hungry and lonesome through Houston seeking jazz or sex or
soup, and followed the brilliant Spaniard to converse about America
and Eternity, a hopeless task, and so took ship to Africa,
who disappeared into the volcanoes of Mexico leaving behind nothing but
the shadow of dungarees and the lava and ash of poetry scattered in
fireplace Chicago,
who reappeared on the West Coast investigating the FBI in beards and shorts
with big pacifist eyes sexy in their dark skin passing out incompre-
hensible leaflets,
who burned cigarette holes in their arms protesting the narcotic tobacco haze
of Capitalism,
who distributed Supercommunist pamphlets in Union Square weeping and
undressing while the sirens of Los Alamos wailed them down, and
wailed down Wall, and the Staten Island ferry also wailed,
who broke down crying in white gymnasiums naked and trembling before
the machinery of other skeletons,
who bit detectives in the neck and shrieked with delight in policecars for
committing no crime but their own wild cooking pederasty and
intoxication,
who howled on their knees in the subway and were dragged off the roof
waving genitals and manuscripts,
who let themselves be fucked in the ass by saintly motorcyclists, and
screamed with joy,
who blew and were blown by those human seraphim, the sailors, caresses of
Atlantic and Caribbean love,
who balled in the morning in the evenings in rosegardens and the grass of
public parks and cemeteries scattering their semen freely to whom-
ever come who may,
who hiccuped endlessly trying to giggle but wound up with a sob behind
a partition in a Turkish Bath when the blond & naked angel came to
pierce them with a sword,
who lost their loveboys to the three old shrews of fate the one eyed shrew
of the heterosexual dollar the one eyed shrew that winks out of the
womb and the one eyed shrew that does nothing but sit on her ass
and snip the intellectual golden threads of the craftsman's loom.
who copulated ecstatic and insatiate with a bottle of beer a sweetheart a
package of cigarettes a candle and fell off the bed, and continued
along the floor and down the hall and ended fainting on the wall with
a vision of ultimate cunt and come eluding the last gyzym of con-
sciousness,
who sweetened the snatches of a million girls trembling in the sunset, and
were red eyed in the morning but prepared to sweeten the snatch of
the sunrise, flashing buttocks under barns and naked in the lake,
who went out whoring through Colorado in myriad stolen night-cars, N.C.,
secret hero of these poems, cocksman and Adonis of Denver--joy to
the memory of his innumerable lays of girls in empty lots & diner
backyards, moviehouses' rickety rows, on mountaintops in caves or
with gaunt waitresses in familiar roadside lonely petticoat upliftings
& especially secret gas-station solipsisms of johns, & hometown alleys
too,
who faded out in vast sordid movies, were shifted in dreams, woke on a
sudden Manhattan, and picked themselves up out of basements hung-
over with heartless Tokay and horrors of Third Avenue iron dreams
& stumbled to unemployment offices,
who walked all night with their shoes full of blood on the snowbank docks
waiting for a door in the East River to open to a room full of steam-
heat and opium,
who created great suicidal dramas on the apartment cliff-banks of the Hud-
son under the wartime blue floodlight of the moon & their heads shall
be crowned with laurel in oblivion,
who ate the lamb stew of the imagination or digested the crab at the muddy
bottom of the rivers of Bowery,
who wept at the romance of the streets with their pushcarts full of onions
and bad music,
who sat in boxes breathing in the darkness under the bridge, and rose up to
build harpsichords in their lofts,

who coughed on the sixth floor of Harlem crowned with flame under the
tubercular sky surrounded by orange crates of theology,
who scribbled all night rocking and rolling over lofty incantations which in
the yellow morning were stanzas of gibberish,
who cooked rotten animals lung heart feet tail borsht & tortillas dreaming
of the pure vegetable kingdom,
who plunged themselves under meat trucks looking for an egg,
who threw their watches off the roof to cast their ballot for Eternity outside
of Time, & alarm clocks fell on their heads every day for the next
decade,
who cut their wrists three times successively unsuccessfully, gave up and
were forced to open antique stores where they thought they were
growing old and cried,
who were burned alive in their innocent flannel suits on Madison Avenue
amid blasts of leaden verse & the tanked-up clatter of the iron regi-
ments of fashion & the nitroglycerine shrieks of the fairies of advertis-
ing & the mustard gas of sinister intelligent editors, or were run down
by the drunken taxicabs of Absolute Reality,
who jumped off the Brooklyn Bridge this actually happened and walked
away unknown and forgotten into the ghostly daze of Chinatown
soup alleyways & firetrucks, not even one free beer,
who sang out of their windows in despair, fell out of the subway window,
jumped in the filthy Passaic, leaped on negroes, cried all over the
street, danced on broken wineglasses barefoot smashed phonograph
records of nostalgic European 1930s German jazz finished the whis-
key and threw up groaning into the bloody toilet, moans in their ears
and the blast of colossal steamwhistles,
who barreled down the highways of the past journeying to the each other's
hotrod-Golgotha jail-solitude watch or Birmingham jazz incarnation,
who drove crosscountry seventytwo hours to find out if I had a vision or you
had a vision or he had a vision to find out Eternity,
who journeyed to Denver, who died in Denver, who came back to Denver
& waited in vain, who watched over Denver & brooded & loned in
Denver and finally went away to find out the Time, & now Denver
is lonesome for her heroes,
who fell on their knees in hopeless cathedrals praying for each other's salva-
tion and light and breasts, until the soul illuminated its hair for a
second,
who crashed through their minds in jail waiting for impossible criminals
with golden heads and the charm of reality in their hearts who sang
sweet blues to Alcatraz,
who retired to Mexico to cultivate a habit, or Rocky Mount to tender Buddha
or Tangiers to boys or Southern Pacific to the black locomotive or
Harvard to Narcissus to Woodlawn to the daisychain or grave,
who demanded sanity trials accusing the radio of hypnotism & were left with
their insanity & their hands & a hung jury,
who threw potato salad at CCNY lecturers on Dadaism and subsequently
presented themselves on the granite steps of the madhouse with
shaven heads and harlequin speech of suicide, demanding instanta-
neous lobotomy,
and who were given instead the concrete void of insulin Metrazol electricity
hydrotherapy psychotherapy occupational therapy pingpong & am-
nesia,
who in humorless protest overturned only one symbolic pingpong table,
resting briefly in catatonia,
returning years later truly bald except for a wig of blood, and tears and
fingers, to the visible madman doom of the wards of the madtowns
of the East,
Pilgrim State's Rockland's and Greystone's foetid halls, bickering with the
echoes of the soul, rocking and rolling in the midnight solitude-bench
dolmen-realms of love, dream of life a nightmare, bodies turned to
stone as heavy as the moon,
with mother finally ******, and the last fantastic book flung out of the
tenement window, and the last door closed at 4 a.m. and the last
telephone slammed at the wall in reply and the last furnished room
emptied down to the last piece of mental furniture, a yellow paper
rose twisted on a wire hanger in the closet, and even that imaginary,
nothing but a hopeful little bit of hallucination--
ah, Carl, while you are not safe I am not safe, and now you're really in the
total animal soup of time--
and who therefore ran through the icy streets obsessed with a sudden flash
of the alchemy of the use of the ellipse the catalog the meter & the
vibrating plane,
who dreamt and made incarnate gaps in Time & Space through images
juxtaposed, and trapped the archangel of the soul between 2 visual
images and joined the elemental verbs and set the noun and dash of
consciousness together jumping with sensation of Pater Omnipotens
Aeterna Deus
to recreate the syntax and measure of poor human prose and stand before
you speechless and intelligent and shaking with shame, rejected yet
confessing out the soul to conform to the rhythm of thought in his
naked and endless head,
the madman bum and angel beat in Time, unknown, yet putting down here
what might be left to say in time come after death,
and rose reincarnate in the ghostly clothes of jazz in the goldhorn shadow
of the band and blew the suffering of America's naked mind for love
into an eli eli lamma lamma sabacthani saxophone cry that shivered
the cities down to the last radio
with the absolute heart of the poem of life butchered out of their own bodies
good to eat a thousand years.


[Personal Note: I'm not a huge fan of Ginsberg but, his first Howl poem is one of the best poems I've ever read. My personal preferences are short poems but, Howl and its length kept me riveted to every word. Read More about Allen Ginsberg]

Jan 19, 2008

Persephone, Falling --by Rita Dove











--Rita Dove is one of America's top Black poets. She once was the U.S. Poet Laureate from 1993-1995 and won the honor of all honors, the Pulitzer Prize in poetry. Her poetry delves deep into the psyche and makes you think.--













One narcissus among the ordinary beautiful

flowers, one unlike all the others! She pulled,

stooped to pull harder—

when, sprung out of the earth

on his glittering terrible

carriage, he claimed his due.

It is finished. No one heard her.

No one! She had strayed from the herd.

(Remember: go straight to school.

This is important, stop fooling around!

Don't answer to strangers. Stick

with your playmates. Keep your eyes down.)

This is how easily the pit

opens. This is how one foot sinks into the ground.



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Dec 11, 2007

Metaphors --Sylvia Plath


Sylvia Plath





I'm a riddle in nine syllables.
An elephant, a ponderous house,
A melon strolling on two tendrils.
O red fruit, ivory, fine timbers!
This loaf's big with its yeasty rising.
Money's new-minted in this fat purse.
I'm a means, a stage, a cow in calf.
I've eaten a bag of green apples,
Boarded the train there's no getting off. --Sylvia Plath


This poem was written by Sylvia Plath. She was pregnant at the time and wrote of how she felt.

I think she beautifully described or showed how pregnancy affects many of us. The last line sums it up well..."boarded the train there's no getting off" This is an excellent piece of writing.